Ott was doomed to be a teenager in the cultural wasteland that was the mid-1980’s provincial England. After a brief period wandering aimlessly through the hairsprayed deserts of New Romanticism and poodle-rock he found refuge in the warm, inviting sounds of Scientist, King Tubby, LKJ, and Prince Far-I and the effortless grace of European experimentalists Neu! and Kraftwerk. Here he stayed until he felt it was safe to pop his head up again.
After spending the 1990’s freelancing around London as a studio engineer and producer, Ott celebrated the end of the 20th century and the beginning of the 21st by giving it all up and moving to a remote cottage in South West England to be alone with his cats and his studio. With a vague plan to create the perfect soundtrack to an outdoor English festival he embarked on a series of sonic experiments, drawing heavily on the classic dub sounds from Jamaica and hypnotic electronic pulse from Germany which had provided such a refuge during the 1980’s. A period of intense creativity followed, during which a great many tracks were created and then stashed away on tapes, seemingly never to see the light of day.